10 August 2008
APPARATUS, METHOD AND CONCLUSION
When Chris Addison and Armando Iannucci were enjoying huge critical acclaim with The Thick Of It, you may not have thought their next move would be to remake The Goodies - but that's what they're doing with Lab Rats, which Addison is starring in and writing (with Carl Cooper) and Iannucci is overseeing as Executive Producer.
I was really looking forward to this series because I think we need more family-friendly laugh-tracked silly comedy on our screens. Sadly it's not quite there yet, with some inspired gags and genuinely funny jokes mixed with some rather iffy character development and scenes which cross the line from "silly" to "stupid". If it reminds me of anything it's Hippies - another much-hyped series from some big names which was enjoyable and amusing, but also chaotic and sometimes self-indulgent.
Sadly too it looks like Lab Rats is following in the footsteps of Hippies by performing quite poorly in the ratings and enduring some stinking reviews. It's perhaps to be expected - watching Robin Ince in a silly wig running around shouting for an entire episode is something that's always going to be an acquired taste. But I'm sticking with it, and it'd be a shame if it didn't get a second series after this week's episode, which if not the funniest half hour of television this year, was almost certainly the cleverest.
It revolved around the team having to stay up for seven nights in an underground lab - represented on screen by a brilliantly over-the-top Galloping Galaxies-esque set with loads of flashing lights. The entire episode was bravely done on this one set, which is something I always enjoy in sitcoms, but while there were plenty of good jokes, the absolute high point was the final scene.
At the very start of the episode, the Dean had expressed her concern that the experiment would end up as "a circus", and at the very end, she walked into see Addison dressed as a clown, Jo Enright on a trapeze, Dan Tetsall brandishing a chair and a whip and Geoff McGivern in his pants holding up a weight. Why was Addison dressed as a clown? Because he was wearing an anti-static suit and had just been blown up by some booby-trapped biscuits. Why was McGivern in his pose? Because he'd taken his clothes off to relax and did his back in lifting up a standard lamp. Brilliantly, the final scene was the conclusion of umpteen quick references over the previous half hour, and was so well-crafted I really didn't see it coming.
What a shame that, as can be seen, it's virtually impossible to describe and it came so far in the series most viewers will probably have switched off long ago. But congratulations must go to Addison and Cooper for the most satisfying climax to any sitcom in ages.
I was really looking forward to this series because I think we need more family-friendly laugh-tracked silly comedy on our screens. Sadly it's not quite there yet, with some inspired gags and genuinely funny jokes mixed with some rather iffy character development and scenes which cross the line from "silly" to "stupid". If it reminds me of anything it's Hippies - another much-hyped series from some big names which was enjoyable and amusing, but also chaotic and sometimes self-indulgent.
Sadly too it looks like Lab Rats is following in the footsteps of Hippies by performing quite poorly in the ratings and enduring some stinking reviews. It's perhaps to be expected - watching Robin Ince in a silly wig running around shouting for an entire episode is something that's always going to be an acquired taste. But I'm sticking with it, and it'd be a shame if it didn't get a second series after this week's episode, which if not the funniest half hour of television this year, was almost certainly the cleverest.
It revolved around the team having to stay up for seven nights in an underground lab - represented on screen by a brilliantly over-the-top Galloping Galaxies-esque set with loads of flashing lights. The entire episode was bravely done on this one set, which is something I always enjoy in sitcoms, but while there were plenty of good jokes, the absolute high point was the final scene.
At the very start of the episode, the Dean had expressed her concern that the experiment would end up as "a circus", and at the very end, she walked into see Addison dressed as a clown, Jo Enright on a trapeze, Dan Tetsall brandishing a chair and a whip and Geoff McGivern in his pants holding up a weight. Why was Addison dressed as a clown? Because he was wearing an anti-static suit and had just been blown up by some booby-trapped biscuits. Why was McGivern in his pose? Because he'd taken his clothes off to relax and did his back in lifting up a standard lamp. Brilliantly, the final scene was the conclusion of umpteen quick references over the previous half hour, and was so well-crafted I really didn't see it coming.
What a shame that, as can be seen, it's virtually impossible to describe and it came so far in the series most viewers will probably have switched off long ago. But congratulations must go to Addison and Cooper for the most satisfying climax to any sitcom in ages.
Comments:
<< Home
I think one of the problems with this show is the scheduling. It's really not the sort of comedy you expect at 9.30 on BBC2. Addison has described it as a silly show that he could watch with his young nephew - but I doubt his nephew would be allowed to sit through the 'effing and jeffing of Mock The Week immediately before Lab Rats. Like The Goodies, it should have been scheduled in a faimly-friendly pre-watershed slot on BBC1.
# posted by 
: 8:50 PM
: 8:50 PM
Yes, I loved that episode as well, especially the ending, and the fact that it works brilliantly as a claustrophobic episode as well. I also quite liked the ending with Joan Armatrading walking in to find Addison in blackface with a banjo (which was actually an accident involving a microwaved baked potato). These moments show genius, and while it has received some very bad reviews, I really hope it gets a second series, because I've loved it.
Yes, and you can't argue with a series where the punchline of every episode is Addison saying "Oh, for fuck's sake".
I agree with the comments about the slot, it's just a shame that slots for family-friendly comedy don't appear to exist anymore. Although The Goodies was post-watershed for most of its existence.
I agree with the comments about the slot, it's just a shame that slots for family-friendly comedy don't appear to exist anymore. Although The Goodies was post-watershed for most of its existence.
I actually met Addison backstage after a gig (one of three acts, with one being Marek Larwood of Laura, Ben and Him, and the compere being Russell Howard of Mock the Week), and he was very friendly and willing to chat about a variety of things. He's actually touring again and will be at my uni in December, so hopefully I can catch him again and talk about the show a bit more!
Post a Comment
<< Home